![]() One thing to consider with any denoiser tool is that the more noise you remove, the less sharp the picture becomes. With Denoiser, we were able to crank up the ISO to 12800. With the a7R III, a much better low-light camera, we were able to push it up to ISO 6400 with minimal noise without Denoiser. The 5D Mark IV is not a good low-light camera, but with Denoiser III, instead of having a maximum ISO of 1600 before noise became an issue, we were able remove noise all the way up to ISO 6400. When applying Denoiser III to Sony a7RIII and Canon 5D Mark IV footage, they both benefited. So if you normally bounce a grading pass thru SG 2-3 times like I do, the 2015 **CURRENT** situation may not be what you can work with.As we stated before, with Denoiser III, you can gain up to three more stops without having to worry about noise. if you need to say, mask a sky, apply a second lumetri layer in PP and mask the 2nd application with the PP effect mask tool.įor a TV series I'm about to start grading, we are staying on 2014 for now :(… or maybe PP2015 + resolve but thats not nearly as slick a workflow as PPSG. So basically **FOR NOW** its a one way round trip. Well what if you aren't quite happy with what you did in SG ? send it back to SG and the SG grade layer is now no longer editable. ![]() when its back in PP however, in the Lumetri panel now shows a new " Speedgrade Special" uneditable control. You can do all the usual SG things here and when done, send it back. ![]() in SG the PP lumetri panel shows up as its own *uneditiable* layer for now within SG, and you have a new standard SG correction layer above it. However, round tripping with SG is an entirely different beast. its probably the best part of the entire panel for shot matching. the color saturation wheel makes matching skin tones from different cameras much easier. I've been using this extensively for a while. ![]()
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